There is still significant room for growth, but he has finally found his voice. It is his most unassuming record to date, but also his richest sonically. The best of the three songs is Foldin Clothes, which turns menial labor into a romantic gesture, further implying Cole’s desire for a simpler life.Īnother outing without featured performers, 4 Your Eyez Only is packed with detailed compositions lined with lush live instruments from session musicians and additional production and programming from heavy hitters, including Boi-1da, Vinylz, Frank Dukes, members of the Social Experiment, and, of course, Cole himself. Both have gorgeous, string-laced arrangements, complementing the mood. After contemplating suicide on the opener, For Whom the Bell Tolls, he finds a reason to live on She’s Mine Pt 1: “I’ve fallen in love for the first time/ I wanna cry and I ain’t even tryna fight it / Don’t wanna die (I don’t wanna die no more) / Cause now you’re here.” She’s Mine Pt 2 is a reprise, this time dedicated to his newborn daughter, but with the same touching sentiments. A three-song suite about the power of affection brings balance to an otherwise bleak project. He does it best on Change, a song that transports the listener into the shootout that took the life of James McMillan Jr, Cole’s friend, and on Immortal, which memorializes those lost to gun violence.īut despite being beset by traumas past and present, Cole finds hope in love. Outside of Deja Vu, which is basically a rehash of a Bryson Tiller song, Exchange, with the same sample (KP and Envyi’s Swing My Way), this is a collection of songs with a clear and unified vision, scrutinizing mass incarceration, police brutality, toxic masculinity (which he brands as “tough guy culture”) and other tensions plaguing black communities. It’s a microcosm of Eyez, which is equal parts personal and political, and absolutely his best album yet. “Fuck the fame and the fortune – well, maybe not the fortune / But one thing is for sure though, the fame is exhausting,” he admits on the bass-heavy Neighbors, a fast-paced jam that refuses to confuse upward social mobility with inclusion, as Cole recognizes that his rich neighbors think he made his money “selling dope”. He does this all while dissecting how stardom has changed his life just enough to make him influential, yet somehow not enough to spare him from racial profiling. With his new album, 4 Your Eyez Only, Cole channels Be Free, finding a new niche and renewed purpose as a mouthpiece for black frustrations, throwing himself headfirst into rap activism. It was a moving tribute to black lives mattering that unfolded like a vigil on live TV: “Can you tell me why/ Every time I step outside I see my niggas die/ I’m lettin’ you know that there ain’t no gun they make that can kill my soul.” To this day, it remains the most gripping and endearing moment in his canon.
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When Brown was killed, Cole performed an ode called Be Free on the David Letterman show.
Cole was among the first responders to the cause, heeding the call from fans looking to anoint a new generation of visible advocates he was early on the scene in Ferguson after the death of Michael Brown and has written a handful of protest songs since.